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Spoleto Festival 2026 Juried Art Exhibition
CITY GALLERY at the WHARF
34 Prioleau Street
Charleston, SC
May 22 - June 7, 2026
The festival’s annual Juried Art Exhibition highlights the recent work of artists across South Carolina featuring painting, sculpture, drawing, printmaking, and photography.
What the Future Folds, No. 4 (2026) What the Future Folds Series are sculpted fabric abstractions reminding us that the future holds what we fold into it.
What are you folding into your future?


The Dream Keeper
Bring me all of your dreams,
You dreamers,
Bring me all of your
Heart melodies
That I may wrap them
Ina blue cloud-cloth
Away from the too-rough fingers
Of the world.
--Langston Hughes

RailRoad ATL & FUTURE Gallery
225 Ted Turner Dr SW, Atlanta, GA
Closing Reception: May 30th, 7-10pm

Georgia on My Grandma ‘them Mind (2024) is a multimedia work in conversation with the Confederate flag and the former state of GA flag. The mid-century Black Americana collectible Zulu Lulu Swizzle Sticks embedded within the piece gives voice to the formerly enslaved female souls including my grandparents and ancestors who worked the cotton and rice fields of Georgia.

(studio detail image)
24 x 24 x 2.5 inches
Wood, acrylic, cotton (cloth/flag), cotton bolls, rice, glass shards, plastic
Note on materiality: cotton for stars and rice for bars on this gilded confederate flagbring your ideas to life.

(studio detail image: Artwork created during Penland School of Craft,
Distinguished Fellowship Winter Residency 2024)
41.75 x 30 x 0.5 inches
Wood, acrylic, glass shards, paper and varnish
Media: sculpted wood panel, plastic (mid-century Black Americana collectibles), acrylic, glitter, varnish, resin
Dimension: 14.5 x 2 inches
EmpowerHER is a Fulton County Arts & Culture initiative that is the largest exhibition of women artist across the state of GA, and is presented across multiple Fulton County facilities from March 13 - April 25, 2026


Kolaj Institute Gallery
2374 Saint Claude Ave
New Orleans, LA
14 February-11 April 2026
The exhibition “Folklore on Parade,” curated by Ric Kasini Kadour brings together the work of sixteen artists, each of whom are speaking to ideas about carnival and folklore and its role in our communities.
From analog cut-and-paste to digital and hybrid practices, collage continues to challenge how images are constructed, layered, and reimagined. Juror: Francine Weiss, PhD

The 2025 MOJA Arts Festival Juried Art Exhibition - College of Charleston
September 25, 2025 - January 2, 2026
Located at the Avery Research Center
125 Bull Street, Charleston, SC
The Liberating LuLu Series is comprised of bas relief sculpted canvases, inspired by the mid-century Black Americana artifacts.

August - November, 2022
[Photos: David Barnum Photography]
To develop MANY AMERICAS, guest curator Ric Kasini Kadour undertook an eighteen-month-long research project funded by The Andy Warhol Foundation for the Visual Arts that examined the intersection of history and contemporary art.
Inspired by Ronald Takaki’s A Different Mirror, the Many Americas exhibition and public programming takes as a premise that we do not share a common history and our divergent histories are the source of our troubled civic discourse. Each of the artworks in the exhibition uses history as their point of departure and speaks to present day issues. The artworks demonstrate the multiple, sometimes competing histories of America. The exhibition featured approximately two dozen artworks and installations and a variety of audience engagement approaches including CoCo Harris' We Pledge journal for the patrons to engage and inscribe. In doing this, we seek to demonstrate how an art museum can become a public square where people can come together and talk about important civic issues.
Please visit Curator Ric Kasini Kadour’s companion website where he shares longer commentaries about artwork and the history they reference as well as links to additional media and resources.


25 inches x 108 inches x 1 inch;
Photographs, acrylic, archived newspaper clippings, archival ink, high gloss varnish, unstretched canvas, shards of broken mirrored blue glass

Drapetomania’s Tale is a multimedia visual narrative exploring the legend of Igbo Landing through the artist’s speculative-fictive lens. Drapetomania’s is a tale of resistance and renewal. Based on actual historical events, this series interrogates this African American folklore of coastal Georgia in revisionist and curative framework.
Drapetomania’s Tale, Virtual Exhibition Commissioned by Curator Micheal Anthony Ryder, via Un-Varnished, April – Nov 2023

Collage and multimedia works Liberating Souls I, Liberating Souls II, and Upended Souls were included in this exhibition illuminating the visual discourse on the metamorphosing, early 20th Century Black woman.




"Artist CoCo Harris Shares Collective American Story"
--Greenville Journal
Black History Month Special Feature
Story by Melody Cuenca
Photo by Will Crooks